How romantic films shape relationship expectations ^{CEFR B2}

As Valentine’s Day approaches, two Virginia Tech academics—Sarah Ovink, associate professor of sociology, and Rose Wesche, associate professor of human development and family science—outline how romantic films shape expectations about love. Ovink points out that exposure often starts in childhood: classic Disney films such as Snow White and Cinderella and contemporary titles like Frozen and Tangled make romantic coupling a central plot and promote marriage and “happily ever after” endings.

Wesche examines modern Hallmark-style movies and says they tend to omit many real-life difficulties. These films rarely show conflict, financial stress, or long-term challenges; instead they commonly conclude when characters commit to their “one true love.” The Hallmark Channel also runs an annual “Loveuary” of new releases that extend these idealised tropes.

Wesche adds that some viewers welcome these stories because they offer relief from the stressful dating world or let partners briefly escape everyday problems. She also notes criticism about limited representation across race, culture, and sexuality, summing up that “representation matters.” Both experts warn that idealised cinematic romance can set unrealistic standards and that the source highlights a clear gap between movie fantasies and the complexities of real relationships.