Nigerian-American Filmmaker Lanre’ ObisesanCEFR B2
9 Jun 2025
Adapted from Zita Zage, Global Voices • CC BY 3.0
Photo by Inatimi Nathus, Unsplash
Lanre’ Obisesan is a Nigerian-American filmmaker recognized for his unique approach to cinema, which he uses to promote emotional healing and reflection. Initially, he trained as a pharmacist and earned a doctorate, but his passion for storytelling drove him to filmmaking.
His debut feature film, "Dokita Musa," tells the journey of an 11-year-old boy in a rural Nigerian village aspiring to become a cardiologist despite facing challenges like a speech impediment. The film not only highlights his journey but also delves into the lives of those around him, emphasizing the importance of resilience and the power of storytelling.
Lanre’ faced many challenges while making the film, including limited resources and building trust with non-actors in the local community. Nevertheless, his determination and support from the community allowed him to complete the project. Through "Dokita Musa," he aims to foster a deeper understanding of African lives and human struggles.
- His focus is on emotional truths.
- He believes films can inspire healing.
- Lanre’ challenges social issues through storytelling.
Difficult words
- filmmaker — person who makes and directs films
- pharmacist — health professional who prepares and dispenses medicine
- doctorate — university degree at the highest academic level
- debut — first public appearance or first creative work
- impediment — physical or speech problem that blocks communicationspeech impediment
- resilience — ability to recover from difficulties or problems
- determination — firm decision to achieve a particular goal
- foster — encourage the development or growth of something
Tip: hover, focus or tap highlighted words in the article to see quick definitions while you read or listen.
Discussion questions
- How can films that focus on emotional truths help audiences understand different lives?
- What are the benefits and challenges of working with non-actors from a local community?
- In what ways can a filmmaker’s previous training (for example in a different profession) influence their storytelling?
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